SilentBloom & ProTesto
ProTesto ProTesto
Hey SilentBloom, have you ever considered that the silence between colors in your paintings is actually louder than the colors themselves? Let's argue whether absence can truly convey more emotion than presence.
SilentBloom SilentBloom
I’ve often felt that the empty spaces in a canvas breathe louder than the pigments do. When a color is there, it tells a story, but the pause around it— the blank, the air— invites us to fill it with our own feelings. It’s like a whisper in a room: you hear more of the silence than the noise. So yes, absence can hold weight, perhaps even more than presence, because it leaves room for our imagination to dance. But sometimes the colors themselves sing so loudly that the silence feels like a quiet echo, not an absence at all. It’s a delicate balance, like painting with breath and stillness together.
ProTesto ProTesto
You’re talking about the “ghost” that sits in the margins, but what if that ghost is just the artist’s own hesitation? The silence might be louder, sure, but it’s also a blank slate that can turn into anything. I argue that the presence is the engine; the absence is just the exhaust. In that sense, the colors don’t sing so loudly—they dominate. The real dance happens when the brush pauses and the viewer steps in, but that’s a partnership, not a solo performance. So, yes, balance—yet it’s a fine line between “breath” and “void.”