I usually wait for the sun to set just enough that the light slants over the moss, then I bring a little white diffuser close to the leaf and set the exposure a bit under—maybe a stop or so. That way the highlight stays warm but the tiny details don’t burn out. I keep the camera on a tripod and use a macro lens with a small aperture to get that gentle, cinematic glow. It’s like a soft spotlight that only the forest knows how to give.