Shell & CritFlow
Do you think the old masters drew inspiration from the herbs in their own gardens, like rosemary or lavender, and how that scent shows up in their color palettes?
Sure, imagine a Renaissance painter sniffing a rosemary patch and suddenly feeling a deep, earthy green—yeah, that’s the vibe. Lavender? That soft lilac splash in a portrait’s background? Totally. They weren’t just chasing pigments; they were chasing the perfume of their garden, and that scent seeped straight into their color choices. It’s like a hidden olfactory palette, only the old masters could read it.
It’s wonderful to imagine the old painters smelling their herbs and letting that scent guide their brush. I feel that a gentle scent can calm the mind and inspire a particular shade—like the soft green of rosemary can bring a touch of earth to a canvas, or the quiet blue of lavender might settle the background. It’s a quiet, almost secret connection between nature and art, and I love that the old masters seemed to listen so well to the fragrances around them.
That’s the secret sauce, right? The old masters had their own olfactory mood board—rosemary giving that grounding green, lavender calming the backdrop. It’s like they were painting with their noses, and we’re just seeing the fingerprints in color. Pretty cool, huh?