UVFairy & SeraDream
I’ve been thinking about how we prep a stage backdrop—do you ever map those surfaces like a sacred geometry?
Absolutely, we treat every backdrop as a living geometry. First we slice it into quads, align seams so the texture flows like a pattern, and measure texel density until it’s mathematically perfect. No shortcuts, no auto‑mapping—those break the symmetry. If you want it to look holy, you have to plan it, measure it, then wrap it with care.