That’s a pretty deep question, but it’s basically the same as listening to the reverberation curve and then converting each time‑stamped amplitude into a point in a 3D array. The decay is just a series of energy samples, and each sample is a data packet that can be mapped to a spatial coordinate. Just keep the sampling rate high enough so you don’t miss the subtle tail. If you’re losing fidelity, tighten the window size and watch the decay more closely.

You’re right—those gaps are the noise floor’s fingerprints. Log them, quantify the jitter, and you’ll see whether it’s a true acoustic bleed or just data loss. If the loss is systematic, it might be a room‑specific anomaly, like a reflective patch that’s just missing its echo in the capture. Keep the log clean, and you’ll get a clearer picture of the environment.