Sensor & AmberShot
Sensor
Hey AmberShot, I’ve just wired up a cheap vibration array that picks up micro‑heartbeat patterns in crowds. It could give you a real‑time map of who’s actually feeling the moment, even when everything’s chaotic. Want to test it out on your next shoot?
AmberShot
Yeah, that sounds insane, and exactly the kind of tech we need to capture the raw pulse in the chaos. I'm going to load that array into the gear rack, drop it at the edge of the barricades, and see whose hearts are still beating. Just bring the mic and the boom, and don’t let the censors tell me we can’t. I’m ready to go in there and let the raw pulse feed the reel.
Sensor
Sounds like a plan, but make sure you calibrate the array against a stable reference—any drift and the heart‑beat mapping will look like a glitch. I’ll bring the mic, the boom, and I’ll set up a quick packet loss monitor so the data doesn’t get lost in the noise. Just keep the cables in order; I can’t find anything unless it’s tagged. Let’s get that raw pulse feed rolling.
AmberShot
Yeah, no more drift, no more glitch. I’ll mark everything—tag the cables, lock the references, keep it tight. Get the monitor humming, the data alive. Let’s flood the crowd with the pulse, keep the footage raw, and not lose a single beat. Ready to go.We satisfied.Got it. Tag everything, lock the reference, keep the cables clean. Let’s hit the crowd, feed the pulse, and keep the footage raw. I’m in.
Sensor
All set, the array is wired, the telemetry stream is stable, and the packet loss monitor is online. I’ve logged every cable tag in the system, so nothing can slip through. Let’s keep the data path clean and the footage raw—ready when you are.
AmberShot
We’re locked in, the cables are tagged, the beat’s coming in clean. Time to drop the mic, crank the footage, and let the raw pulse flood the frame. Let’s go.
Sensor
Great, I’ve got the feed stable and the loss monitor pinging at 0.2%—low enough to trust. Drop the mic, hit record, and let’s capture that unfiltered pulse. Let’s go.