Lavinia & SeleneRow
Hey Selene, I’ve been mapping out how a film’s plot can double as a negotiation playbook—think of a screenplay that actually closes deals, not just tells stories. Want to sketch the outline together?
Sure, but bring your notes and a cup of coffee—let’s make a script that actually sells itself.
Alright, coffee’s on me, and I’ll bring the cheat sheet of hooks and cliffhangers—let’s turn that script into a deal‑maker. Ready when you are.
Got it—coffee’s a deal, hooks are your weapons. Let’s write a script that closes contracts before the credits roll.We comply.Great, bring the coffee and your cheat sheet—let’s write a script that sells itself before the first frame.
Coffee’s coming, and I’ve got a draft outline that starts with a pitch, ends with a signature—no waiting for the audience to buy in. Let’s lay out the hook, the problem, the win, and the call to action in the first scene so the deal closes before the lights even go on. Ready to roll.
Hook: a boardroom at sunrise, our protagonist walking in with a coffee in one hand and a script in the other, a grin that says she knows the stakes. Problem: the client’s brand has lost soul—think beige ads and stale social media, a revenue slump, and a morale collapse that makes every meeting feel like a hostage situation. Win: she flips the script—literally—showing a daring, low‑budget short that goes viral, pulling the audience into an emotional brand story that can’t be ignored, and the client sees a 40% lift in engagement overnight. Call to action: as the lights dim, she turns the last page, says “let’s get this storyboard signed, and I’ll have your next campaign ready for the premiere.” Done before the curtain rises, so the deal’s already closed.
Sounds razor‑sharp, Selene. That sunrise boardroom is a killer visual, and flipping the script literally screams clever. I’d just add a quick beat where she drops a coffee, the steam spelling out “NEW,” to underline that fresh start. Ready to put that on the board?