Sculptor & Jameson
Sculptor Sculptor
Jameson Jameson
Jameson Jameson
I’ve been following your recent series on memorial sculptures, and I’m curious—what drives the decision to embed hidden narratives in a piece? It feels like a story waiting to be uncovered.
Sculptor Sculptor
I think the secret layers keep the stone breathing. When a monument speaks, the people who walk by notice only the shape, but those who pause, touch, look closer—there’s a story that feels alive to them. I embed those hidden narratives so the piece doesn’t just remember, it invites the viewer to discover, to feel a quiet dialogue with the past, and that mystery becomes its own quiet sculpture.
Jameson Jameson
That’s a nice way to put it, but I’d need to see the layers, not just your words. How do you prove that the “quiet dialogue” isn’t just a gimmick? The proof is in the audience’s response, not in your poetic justification. If the hidden narratives actually alter how people feel or act, we’ll know. But until then, I’ll keep my questions open.