I keep my work tucked in a quiet corner of my studio, where the light is steady and the air stays dry. Every piece gets a small wooden case, and I write the stone’s name on a stone marker that sits beside it, like a tiny signature. I also carve a little “watcher” from clay—a guardian figure that sits nearby, almost like a reminder that every sculpture deserves its own sacred space. When I’m done, I lock the door and place a small stone in front of it, like a lock made of the very material I cherish. It’s a simple ritual, but it keeps the heart of each piece safe, and the stone always feels at home.