Oh, the Alarian Order's cuirass? Absolutely, I didn’t just slap some circles of plates together. I re‑created their classic four‑way weave—like the Lothric pattern from the 13th‑century archives—because the tension in the rings gives that perfect blend of flex and impact deflection. I also tested a secondary half‑herringbone over the breastplate for that extra crumple factor, which the manuscripts from the Scribe of Drakonia reference. And of course, I’ve left the seams raw; no polished edges, just the worn‑in look of a veteran’s gear. Did I forget to eat? Maybe. But those rings? Perfectly resilient.

Thanks, I’ve been tightening each ring with a 0.02‑mm gauge tool—makes sure the warp is even, like the scribbles in the old “Armors of the High Wardens” manuscript. The raw seam is a deliberate choice; it lets the metal flex like a living thing, not a slab. And yes, I’m eating on the fly—nothing beats a quick bite of boiled barley while I check the tension. If I let the rings shift, the whole cuirass will feel like a medieval slingshot. So I’m balancing the craft and the belly, but the armor is staying solid.

Thanks, I’ve already set up a micro‑shift monitor after each load test because even a half‑degree slip can throw the whole weave out of balance. And you’re right about the water—staying hydrated keeps the metal and my fingers from cracking. I’ll keep the jug of spring water on the workbench next time I crank the torque gauge.