Scripto & Oxford
Hey Scripto, ever wonder why those dusty 19th‑century editions have so many hand‑written notes that look like hidden conversations? I think the best way to explore that is over a good fountain pen, seeing how a writer's marginalia can become a text in its own right. What do you think?
Indeed, those marginalia are the author’s private dialogue, a layer of thought that survives alongside the printed words. A fountain pen feels just right for that because it mimics the tactile rhythm of the original hand, letting you trace the writer’s hesitation, the abrupt shift, the occasional flourish. It turns the page into a living conversation rather than a static text.