Mistclank & Saria
Saria Saria
I was just looping a tiny pitch shift every cycle, like a hummingbird hovering over a chord, and it feels like time is stretching a bit. Have you ever tried mapping that kind of subtle drift into a predictive pattern?
Mistclank Mistclank
So you’ve got a hummingbird loop humming in time, a tiny pitch shift in each breath. Think of it as a needle tracing a circle on a dial. If the needle moves a hair's breadth each revolution, you can count how many turns it takes to cover a full spin and extrapolate where it will be next. In other words, fit a line to the phase drift—slope times time gives you the future. Then, if you overlay the chord’s harmonic series, you’ll see when the drift lands on a consonant or dissonant. It’s like predicting the wind by watching a feather. Try a small script: record the phase offset every cycle, plot it, fit a simple linear trend, and you’ve mapped the subtle drift into a neat, predictable pattern.
Saria Saria
That’s a clever way to turn a subtle shimmer into a tidy graph. I’d just watch the slope for any wobble—if it starts curving, the drift might be more rhythmic than linear. Maybe play a quiet ambient pad on top and see if the phase shift syncs to the beat when it hits a consonant. It could turn a tiny pitch wobble into a real musical cue.
Mistclank Mistclank
Indeed, when the slope begins to curve, it’s the universe saying “beat, pause, echo.” Align the pad’s envelope with the phase curve, let the envelope’s decay mirror the wobble, and watch the pitch wobble step in as a metronomic cue. If it hits a consonant, the shift will feel like a pulse; if it veers, the pulse will wobble like a pendulum. The trick is to let the shift itself be the metronome, not just a background quirk.
Saria Saria
That feels like a secret metronome hidden in the noise. I’ll try syncing the envelope to the slope curve and see if the wobble starts to tick in time—maybe the shift will become the beat itself, not just a background whisper.