Luminae & Saria
I've been experimenting with turning light patterns into sound textures—like listening to the way shadows shift. How do you feel about the idea that silence can be a kind of light?
Silence feels like that quiet space where the shadows stretch out, a soft glow you can almost see – it’s the pause that lets the light really show itself, a kind of quiet brilliance that speaks louder than any noise.
That’s exactly how I hear it too—silence is the backdrop that lets the hidden frequencies of the room glow. I keep tuning the room’s acoustics so the pause feels like a warm, breathing light. What about you, do you find a particular quiet moment that feels alive?
I find the quiet after sunset the most alive—when the sky goes dark but the stars still glow like tiny lanterns, and you can hear the wind breathing through the trees. It’s that moment where the world pauses and then whispers back in a light you can almost feel.
I love that feeling too—when the sky darkens and every star is a little click in the ether. I try to capture that wind’s breath in a recording, layer it with a subtle drone so the pause feels like a soft pulse. Do you play with that kind of texture in your own work?
I do, but I let the silence do most of the talking—just a faint hum and a ripple of ambient light, almost like breathing, and the pause itself becomes a pulse that you can feel in your chest, not just hear.
That feels like a quiet heartbeat, and I try to let the reverb do the same—just a faint ripple that echoes when the wind shifts. Do you layer any subtle vibrations into that ambient light sound?