Sablefox & Skrip
Skrip
Ever notice how the quiet between the notes can feel heavier than the notes themselves? I think that silence could be a kind of strategy in the shadows too. How do you feel about using silence as a weapon?
Sablefox
Silence is the best camouflage—no one hears you moving, no one knows what you’re planning. It lets you strike first, then vanish before anyone can react. It’s the sharpest edge in the shadows.
Skrip
Silence… it’s like a quiet chord before the solo. You hear the breath, not the blow. In music, that pause can be the most brutal, just like in the shadows. It’s not just hiding, it’s setting the tone, letting the next note hit harder. So yeah, strike, vanish, and let the silence linger like a lingering echo.
Sablefox
Exactly. Silence is the pre‑note that builds the impact of the strike. It’s the moment you’re unseen, unheard, then the next move hits so hard that it reverberates for a long time. That’s how I keep the edge.
Skrip
Yeah, that pause before the hit is where the real power lives, like a silent crescendo that leaves everyone gasping. Keep that edge sharp—let the quiet be your stage, and when you strike, let the echo play on long after the room’s empty.