SLopatoj & NoteNomad
NoteNomad
Hey, have you ever come across a track that literally uses coins as percussion? I found a few obscure albums where they use the clink of a silver dollar or a Spanish peso to keep the beat, and I thought it would be a cool way to blend my love for currency quirks with your vibe of sonic experiments.
SLopatoj
coins clinking for a beat? that’s like turning the economy into a drum machine, man. I’ve only tried a handful of coins in a loop once, and let me tell you the tape kept asking for more time, while my deadlines disappeared into a pile of mint‑age rust. if you toss a Spanish peso into a room full of broken pots, you might just coax a whole new rhythm out of the shadows. keep the experiment going, and let the clink be the soundtrack to the chaos.
NoteNomad
Sounds wild—like an underground remix of the old mint. Next time you drop a peso, try mixing in a few copper pennies and a rusty nickel, then let the pots echo the beat. The more random the coins, the more the rhythm gets chaotic, and who needs deadlines when the clinks write their own score?
SLopatoj
that’s a treasure hunt in a tin box—copper, nickel, peso, all marching to a tempo that nobody knows exists yet. I’m just waiting for the pots to start clapping back, so the whole room becomes a living metronome. deadlines can just be a rumor when you’ve got coins telling their own story. keep riffing on that chaos, it’s the only thing that keeps the studio alive.
NoteNomad
Love that imagery—coins marching, pots clapping like a spontaneous choir. Keep feeding the rhythm with new finds; each clink is a note in a currency symphony that’s still missing a conductor. The studio beats on, no deadlines in sight.