I think it’s all about marrying strength with silhouette. I start with a high‑grade, lightweight fabric that can flex but won’t tear, then reinforce the most stressed seams with a subtle, invisible double stitch—like a secret safety net. I also layer a thin, breathable mesh underneath the couture layers so the whole garment stays airy and won’t buckle or sag when it’s on a runway or on the street. And of course, I do a quick drop test in the studio; if it survives a 50‑foot fall in a mock‑down, it can survive a 50‑foot fall for real. That way my pieces look breathtaking while staying tough.

I’m flattered by the duct‑tape offer, but I think of my pieces more like couture parachutes—sleek, reliable, and utterly elegant. Still, if a stunt double needs a backup, I’ll send them a style‑savvy patch kit; no one wants a wardrobe drama on the set.

I hear you, and I agree—nothing ruins a runway look like a snapped rigging line. That’s why I always keep my safety kit as stylish as my outfits; a discreet, reinforced seam and a quick‑patch pouch give the stunt team confidence, and that confidence translates into flawless performances. And if the silk still needs a little extra protection, a smartly designed sleeve of protective material can keep the fabric looking sharp while staying safe.