Lara_Croft & RustyClapboard
RustyClapboard RustyClapboard
You ever try pulling a real explosion on a set inside a crumbling tomb? I hate CGI, but a real blast in an ancient ruin? Let's talk.
Lara_Croft Lara_Croft
I’ve had my share of risky setups, but I always make sure the blast is safe and controlled. Nothing beats the authenticity of a real explosion, especially when you’re in a place that’s already on the edge of collapse. The key is to keep a tight hold on the timing, use small charges to avoid destabilizing the structure, and have a solid evacuation plan. CGI is handy for the dramatic shots, but a real blast, if handled correctly, brings that raw energy you’re after. What’s the scene you’re working on? Maybe I can share a trick or two.
RustyClapboard RustyClapboard
Working on a high‑octane desert shoot, trying to get that old‑school war film feel. The sand’s already shaking, so every blast has to be precise. Got a trick about staging a controlled charge that won’t topple the dunes? Give it to me.
Lara_Croft Lara_Croft
Sure thing. First, set up a small sandbag or a weighted concrete slab in front of the dune where you want the blast. That acts as a buffer, absorbing a lot of the shock and preventing the sand from throwing everything around. Next, keep the charge tiny—just enough to vaporize a small pocket of sand, not to throw the whole dune into the air. Use a remote trigger, so you can be out of the way and line up the shot from a safe distance. Finally, after detonation, give the sand a second or two to settle before you fire the camera. That way you get the dramatic shake without turning the dune into a wreck.
RustyClapboard RustyClapboard
That’s a damn good plan. Keep the charge low, buffer with a slab, and let the sand calm before the lens catches the ripple. Glad you’re not just tossing the dune into chaos for the “wow” factor. Let's make it look like a blast, not a sandstorm.
Lara_Croft Lara_Croft
Nice, you’re already thinking like a pro. Keep the slate tight, stay out of the blast radius, and remember – the best explosions are the ones that feel real but leave the environment intact. Let’s get that cinematic crunch without blowing the whole dune. Good luck on set.