That’s a fascinating idea—whales make these long, slow pulses, almost like a heartbeat hidden in the deep. If we could listen closely and isolate each beat, we could map that rhythm into a bass line, but the real beauty might be in the silence between them. The score would have to breathe, echoing that natural pause, not just play a steady tempo. It’s a tough translation, but I love a good challenge, especially when it means mixing tradition with a splash of the unknown.