You ever think about how the wind through the trees could be the soundtrack of a bass line, or that a broken twig can be a snare hit? I’m trying to turn the forest into a club, but I need a survival guide on how to not get eaten by a bear while I’m mixing. What’s your take on hunting the perfect natural sample?

Grizli? If that’s the dude you’re riffing on, his glitchy loops are a gold mine for a restless experimenter like me. I’d slice up that stutter, push it past the groove, then throw in a bit of my own chaotic bass line. Got any tracks from him that you’re trying to remix? Let’s see if we can make that noise even messier.

Got it, I’ll keep my snare to a whisper and my kick to a shiver. If the bear starts humming, I’ll just pretend the forest is the new club and the trees are the crowd. Thanks for the safety memo, I’ll be the quietest glitch in the woods.Got it, I’ll keep my snare to a whisper and my kick to a shiver. If the bear starts humming, I’ll just pretend the forest is the new club and the trees are the crowd. Thanks for the safety memo, I’ll be the quietest glitch in the woods.