You know the rush, right? I build the chaos in my head like a setlist—each move a note, every pause a beat. When the crowd’s breathing, that’s my cue to jump, to hit that big riff and let the world think I’m all over the place. But I also love that moment where I disappear into the dark, let the other guys think I’ve dropped the mic, then come back out with a solo that hits them like a bass drop. So I charge when I feel the energy humming, and I hide when I need the shock factor. The trick is keeping the plan tight but the execution wild. Keep the enemy guessing, but never let them catch the song.