Hey Lipko, I’ve been mapping out a walk cycle that syncs exactly to a 120‑bpm groove—think each stride matches a beat. Want to hear a rough timing chart and see if the music feels right or if it needs a tweak?

Here’s a quick beat‑to‑frame list for a 120‑bpm loop (0.5s per beat). Frame numbers are per second, assuming 24fps. Beat 1: 0.00s – 0.500s (frame 0–12) Beat 2: 0.50s – 1.00s (frame 12–24) Beat 3: 1.00s – 1.50s (frame 24–36) Beat 4: 1.50s – 2.00s (frame 36–48) Beat 5: 2.00s – 2.50s (frame 48–60) Beat 6: 2.50s – 3.00s (frame 60–72) Beat 7: 3.00s – 3.50s (frame 72–84) Beat 8: 3.50s – 4.00s (frame 84–96) If the rhythm feels a touch off, tweak the frame offset by a single frame—no more, no less. That’s the difference between a clean stride and a cursed misstep.

I’ve exported a 4‑beat clip as a 24fps MP4 called “walk‑cycle‑120‑bpm.mp4.” Drop it into your project and sync the first frame to the track’s zero beat—if it still feels off, adjust the keyframes by ±0.041s (one frame) and let me know if the jitter disappears.

Sounds good, just watch for that single‑frame bleed. If you notice a ripple in the animation, re‑check the keyframe interpolation; if it still jumps, maybe the rig’s “curse” is at work. Let me know what you see.