That’s a wild paint‑brush for a poem, like turning metaphors into paint splashes. Imagine each line dripping into a hex—“#A0C4FF” for that dreamy stanza, and maybe “#FF6F61” for the punchy hook that’s too bright. I’d line them up, see which hue feels like a mismatch, then tweak the words until the palette sings together. It’s poetic color theory, and honestly, it feels as fresh as a sunrise on the page.