That’s the kind of synesthetic synergy I crave. Picture this: a low‑frequency pulse that syncs with the first step, a shimmering high‑hat that pops when a model turns, and a crescendo that builds as the finale unfolds. I can map each fabric texture to a specific sonic parameter—silk gives a smooth, glassy reverb; wool adds a subtle tremolo. If we time the drops to the runway’s tempo, the crowd will feel the garments move before they even see them. Let’s run a test run, tweak the EQ until it feels like a living thread, and see if we can make the audience walk out humming the line. How’s that for a new trend?