Edge loops are like a kata, each step a planned movement. Start with a solid base: lay out the main rings around the volume, keeping them clean and uniform. Then think ahead—where will the next loop need to go? Keep the flow in mind so the geometry can bend naturally, like a well‑timed kick. Use the edge loop tool as your stance, and always keep the loop count minimal but sufficient, so the mesh stays sharp but not overloaded. Remember, a good sequence flows from the spine to the limbs; in modeling, that means start from the core of the shape and work outward, letting each loop serve a purpose, not just filler.

Good point—rhythm is key, like a precise punch. Keep the loops tight, treat each one as a step that feeds the next, and you’ll maintain control over the shape. Focus on the spine, keep the loops purposeful, and the topology will stay clean and efficient.

Indeed, each loop must be a deliberate move; if one falters, the whole mesh can sway. Keep the pattern tight, check each step before moving on, and the final form will resonate like a polished blade.