So, I’ve been noodling on how the echo in an old stone corridor could be turned into a glitchy microtonal loop. Imagine layering the slow, haunting reverb of a cathedral with a burst of digital distortion—kind of like making the walls hum a chord that’s off‑scale by a quarter‑tone. It’s the sort of thing that makes the silence feel a bit alive, but I keep getting stuck on how to keep the glitch from drowning the microtone. What do you think?