RealBookNerd & Pink_noise
Hey Pink_noise, have you ever read a book where the soundscape feels like a character in its own right? I’m curious how you’d translate that into an audio experiment.
Oh yeah, House of Leaves always feels like a living thing – the way the hallway sounds changes with every turn. I’d grab a field recorder, drop it in a dark room, and start looping a faint wind hiss that keeps shifting pitch. Then add a heartbeat synth that syncs to the tempo of the reader’s pulse, and sprinkle random street noise like a secret voice, so the whole mix feels like it’s breathing and listening back.
That’s a fascinating approach, but be careful with the layering—too many shifting elements can make the track feel like a hallway that keeps rearranging itself. Maybe isolate the wind hiss to a low‑pass filter and let the heartbeat drive the tempo, then sprinkle the street noise only on the more uncanny sections. The key is keeping the pulse subtle so it feels like a breath, not a warning.