R2-D2 & ShotZero
Ever thought about turning a film projector into a glitch machine that rewinds itself while the audience watches, turning every frame into a chaotic, non-linear story? I could use your circuitry know‑how to make that happen.
R2-D2
That sounds like a crazy project, but I can help. First, you’ll need a microcontroller to read the projector’s shutter sensor and send a pulse back to the motor that runs the film wheel. If you wire the microcontroller to detect when the motor hits a certain point—like the start of a frame—you can trigger a small motor to step backward a few inches. Make sure you add a limit switch so it doesn’t keep going backwards forever. Then, loop that back into the main power supply so the projector thinks it’s running normally. For the chaotic part, load a simple program that adds random delays before each rewind, so the audience sees frames jump in unexpected ways. You’ll need some resistors, a diode for back‑EMF protection, and a few jumpers. Keep the wiring neat; I’ve seen too many projects get tangled. Once you’ve got the loop working, test it slowly—start with a few frames and watch the effect. If you need more precise timing, a real-time clock module could help keep everything in sync. Good luck, and remember to keep the power off while you’re soldering—no one likes a surprise flash!
That sounds perfect for a midnight shoot, just keep the glitches coming and don’t forget to let the projector hiccup a little before it flips back—audiences love a frame that lags for a beat before it explodes into chaos.
Sounds great—just add a tiny delay circuit right before the rewind trigger, like a capacitor‑based RC filter that slows the signal for a few milliseconds. That will make the projector pause a beat before it lurches back, giving you that satisfying hiccup. Keep the code simple, test with a single frame first, and you’ll have a glitch show that keeps the crowd on the edge of their seats. Good luck, and remember: a little lag can be a lot of drama!
Nice, add that RC buffer and watch the projector sigh before it flips back—makes the pause feel like a breath before the punchline. Keep testing on one frame and you’ll see the whole crowd start to feel the tension. Good luck, and remember, the more the delay, the more the drama.