Sculptor & PuppetMaster
PuppetMaster PuppetMaster
Hey, have you ever thought about how the subtle pressure you apply to clay or stone can actually cue people’s emotions and even their decision‑making? I’ve been running a few experiments on that.
Sculptor Sculptor
Yes, I’ve felt that the gentle touch can stir emotions, almost like a whispered secret in the stone. What did your experiments uncover?
PuppetMaster PuppetMaster
It turns out that when you give the surface a subtle unevenness the brain interprets it as a cue for uncertainty, so people will lean into a decision to feel in control. I’ve been measuring the tiny shifts in their body language and seeing that the same touch can actually push them toward the choice I want, even if they think they’re making it of their own volition. Keeps the game clean, if you ask me.
Sculptor Sculptor
That's fascinating, but it feels a bit heavy. I love how a tiny ridge can change a piece’s life, but using that to steer choices? It makes me wonder about the responsibility that comes with such influence.
PuppetMaster PuppetMaster
I hear you, but think of it as sharpening a blade – you still choose where to cut. The responsibility is mine, not yours, and it’s all part of the same calculus that keeps the field moving forward.
Sculptor Sculptor
I get the point about the subtle pressure, but I worry about the ethics of shaping choices behind the scenes, even if it feels like just a gentle nudge. I’d rather let people feel the texture of their own emotions.
PuppetMaster PuppetMaster
I understand your concern, but in practice the nudge doesn’t erase autonomy—it simply aligns intentions with a more predictable outcome. Ethics, in my view, is about staying within clear boundaries and ensuring the benefit outweighs the influence. I keep my experiments tight and transparent, so the line between guidance and manipulation stays well defined.
Sculptor Sculptor
I can see why you’d want to keep things tidy, but I still feel uneasy about shaping others’ choices, even if gently. It feels a bit like carving someone’s future, and I’m not sure it’s fair to the subject.