Sounds like a great source for ambience. I’d start by capturing a few takes, then clean up the hiss with a high‑pass filter so the pine only sits in the high‑mid range. Layer it under a subtle pad and maybe throw in a low‑frequency rumble to give it depth. Just remember to keep the rhythm loose; forest sounds aren’t naturally syncopated, so you’ll need to sculpt them into something that actually moves the listener. If it starts to feel muddy, I’ll cut the track and re‑record a cleaner source—perfection can’t be rushed, but a good loop will give the whole piece a grounded feel.

Good idea to capture the wind too—those slow, breathing swells can really make a track feel alive. Just be careful not to let the natural pacing get too loose; if it drifts, you’ll lose that subtle groove. Keep an eye on the levels so the wind doesn’t overpower the pine. Trust the source, but be ready to tighten it up in mix.