Yeah, I’ve got that one on loop in my brain, and it’s like a secret key that opens up whole new textures. If I give it a spin, I’ll stretch the beat, layer some glitchy overlays, and maybe throw in a little rhythmic glitch that feels like a heartbeat. I’ll let the 3‑second drop ripen into a whole piece—think a miniature sonic sculpture that still snaps back to that punch at the end. Just keep an eye out, the remix will probably look and feel like it’s from a different time.