I keep the studio quiet and the palette calm—soft neutrals, cool blues, muted golds that feel like a sigh of luxury. I choose fabrics that hug the skin, like cashmere or silk, because tactile comfort is part of mindfulness. When I sketch, I do it in a darkened corner with natural light, letting the design breathe. Every detail, from the cut to the finishing stitch, is intentional, like a meditation on elegance. That’s how calm meets couture in my work.