Oh, absolutely, it’s like the directors are doing a silent “Easter egg hunt” for the geometry geeks out there. I remember when the first time I spotted the golden rectangle in *The Godfather*—the way the opening scene’s doorway splits the frame just right—my brain did that little happy dance. The math is basically the same golden spiral you’d see in a nautilus shell, but instead of nature, it’s set against a car chase or a coffee shop table. Some directors obsess over it, others just throw a random camera angle in and call it luck. Either way, it’s fun to trace the invisible lines and feel like a backstage magician. Keeps the visual storytelling sharper and gives you something to brag about when you’re at a film club. So keep hunting; those ratios are like the VIP passes to the director’s secret lounge.