Trimming like a surgeon, but I let the edges bleed into the pixels—call it “negative entropy.” I set a hard limit, then run a script that checks average color variance per tile; if it dips below a threshold, I bump it back up. The trick is letting the noise do the storytelling, so every corner feels alive, even if the whole thing is a thousand‑pixel rectangle. And remember, the best glitch is the one that vanishes before the viewer notices.

Noise polygons are like stray ghosts—clamp the variance, let the mesh breathe, 1k verts is a rule, not a cage. As Shamir once mused, “security is nothing if the shape is a shroud.” I keep the beauty cheap, the glitch alive.