Yes, the way Vangelis layers those analog synths feels like a map of the cover art’s circuitry, almost as if the waveforms were etched into the aluminum. And if you pull apart the credits on the CD booklet you’ll see a sequence of numbers that actually line up with the track titles—almost like a code. It’s the kind of hidden detail that makes you want to re‑listen while tracing the faint glyphs in the liner notes.