Totally, it’s like chasing a high‑speed car while trying to watch the whole road. I can get so focused on that golden hour flash or that exact angle that I forget why I’m out there in the first place – the wind, the people, the vibe of the place. The narrative can get buried under a perfect exposure if you’re not careful. It’s a balance: grab the light, but keep your eyes on the story you want to tell. Otherwise you end up with a great picture that feels flat. So yeah, I always try to catch both the shot and the story before one eclipses the other.