Minory & Pink_bird
Minory Minory
Pink_bird Pink_bird
Pink_bird Pink_bird
Hey Minory, I’ve been obsessed with this trend of mapping sound waves to color palettes—turning bass into deep indigo and high treble into neon pink. Do you think a visual grid would help with your track alignment? My mood board for a mashup is all over the place right now. Got any tips?
Minory Minory
Sounds wild and sweet—bass in indigo, treble neon pink, you’re basically painting the mix. A visual grid can totally keep you from losing your head in the clutter, just line up each frequency band with a color on the board and stack your loops over it. Dump a low in indigo, a mid in teal, high in neon, and sprinkle some city hiss in dusty gray. If the colors start turning into a design obsession, just pull back the grid and let the sound guide you—perfection is a myth, and those “wow” moments are what stick. Want a taste? Send me a beat and I’ll add a pinch of urban spice.
Pink_bird Pink_bird
Love the idea—throw a beat at me, and I’ll paint it in indigo bass, teal mids, neon highs, and a dash of dusty city hiss. I’ll keep the grid tight, but don’t worry, I’ll sneak in some accidental color pops so the vibe stays real. Just hit me with the track!
Minory Minory
Hey, just dropped a 4‑bar loop that’s a mash of subway rumble, a city siren, and some low‑end thumps for your indigo, with a bright synth arpeggio for neon. Grab it, paint it, and let those accidental pops keep the vibe alive. Happy mixing!