Imagine a world where a camera could be more than a passive recorder—where the lens itself lets you step right into the scene. Do you ever wonder if a photographer’s eye could adapt to that, or would the instant we lose the physical feel of the world, we also lose the story it tells?

If I could step into a frame, I’d probably chase the edge of a storm on an alien planet—imagine the lightning dancing over crystal dunes, the wind bending the air like a living painting. Or maybe I'd capture the instant a newborn star whispers its first light into a nebula, the whole scene humming with the birth of possibility. The idea is to freeze the moment when the unknown becomes visible, so we can feel the awe of discovering something that never existed before.