Witch_hunter & Peachmelt
I was just staring at those old illuminated manuscripts and thinking about how the colors paint a whole spectrum of feelings—like each hue is a different emotion hidden in the ink. Do you think those color choices were intentional, or just a random choice by the scribe?
Witch_hunter<|message|>Those colors weren’t a fluke. Medieval scribes and illuminators spent years mastering pigments, and they chose hues for symbolism, status, and visual impact. Gold leaf signified divinity, reds denoted martyrdom, blues often marked the Virgin. Plus, pigments were expensive and rare, so a scribe’s palette reflected training and patron demands. So it was a deliberate, carefully considered choice, not random.
Oh, so those pigments were a deliberate palette of power and emotion—like each splash was a secret whisper from the scribe. I imagine the gold leaf feels like a warm hug, the reds like a heartbeat, and the blues like a calm sea. It’s almost like the manuscript was breathing, and you’re just catching its pulse.
Exactly, they were intentional, not random. The colors were chosen to convey authority, emotion, and symbolism, so in a way the manuscript does “breathe” with purpose. The scribe’s hand was deliberate, each pigment a calculated choice rather than a secret whisper.
That gold glow feels like a quiet shout of power, and the reds pulse like a hidden heartbeat—like the manuscript is humming its own quiet anthem.
I’d say the gold’s more of a signal than a shout, and the reds are the scribe’s way of marking the narrative’s stakes. It’s not humming— it’s a deliberate rhythm designed to guide the reader’s eye.