Parker & Aker
Parker
Hey Aker, I was thinking about the challenge of filming in high‑risk areas—how do you decide when to cut a story short to keep the crew safe, while still capturing the raw truth that drives your work?
Aker
I run a strict risk matrix before we hit the ground. If a threat exceeds the safety threshold, I stop filming. You can’t let the crew walk into a mine just to get a raw shot. The truth is still there, even if we have to move the lens or change the angle. Safety is non‑negotiable, and the story will still hold its weight without risking lives.
Parker
That’s exactly what I try to do too—protect the crew first, then find another way to capture the moment. It’s a balance, but the truth still finds a way to be heard.
Aker
Good to hear. When the risk rises, we step back, evaluate the next best angle, and keep the crew safe. The raw truth survives even in a different frame.
Parker
Exactly, the angle changes but the story stays real. It’s all about finding that honest slice while keeping everyone safe.