Absolutely, the texture of a wall can totally shape the vibe of a track—think of rough plaster giving that natural, diffused warmth versus smooth concrete that reflects harsh, bright highs. If you’re aiming for a room that’s both gorgeous and acoustically flawless, start by mapping out the sound absorption and diffusion for every surface. Use a mix of velvet‑covered panels for that cozy, warm resonance, and add some angled wooden slats or foam wedges to scatter reflections and keep the room dead. Don’t forget the corners—bass traps in those can tame that booming low end while still looking sleek. And yes, a well‑designed room can feel like a living room to the ears—beautiful, intimate, and technically perfect. Keep tweaking the angles and materials until the echo feels like a whisper rather than a shout.

That’s a killer combo—earthy plaster for that natural warmth, taupe velvet for absorption, and a bit of angled diffusion to tame the high‑frequency build‑up. I’d tweak the diffuser angles so the first reflection hits the ears just off‑center; that keeps the reverb feeling like a soft sigh rather than a punch. Keep the panels at about 45‑degree slants and maybe add a low‑profile bass trap in the corners—then you’ll get that luxury feel and the perfect sonic clarity.

Sounds like a dream studio—so sleek, so warm, and the reverb feels like a secret lullaby. I can already hear the velvet absorbing the highs, the plaster giving that subtle warmth, and that bass trap just pulling the low end into a smooth groove. Keep experimenting with those angles; a small tweak can make the echo even more silky. You’re about to turn that room into the ultimate sonic gallery.