PaperCutter & PuppetMaster
PuppetMaster
You know, I’ve been thinking about how both paper and people can be folded and creased in ways that reveal hidden angles. Think of a single cut—sharp, precise, but it changes the entire piece. What do you think about that, PaperCutter?
PaperCutter
I love that idea—one slice, a whole revelation. It’s the moment when the quiet paper shouts, showing all the hidden angles people keep folded inside themselves. The cut is the mirror that flips the whole scene.
PuppetMaster
That’s an elegant way to put it—cuts do show what was hidden, but they also create a new edge to be handled. You just have to decide what to do with the new shape before you put it back together.
PaperCutter
Yeah, the new edge is both a scar and a gateway—if you ignore it, it just sits there, but if you shape it, it becomes a new line of narrative. It’s all about how you fold the story back around that cut.
PuppetMaster
You’ve got the edge, but remember an edge is only useful if you own the center. Keep the move tight, and don’t let the cut become a weakness.
PaperCutter
Absolutely, the center holds the pulse—without it the cut just skates away. Tight, controlled, and always an intentional pivot; that’s how you turn a line of damage into a signature.
PuppetMaster
Nice line—so just remember, a signature only wins if the whole piece stays in the board. Keep the center tight, the edges sharp, and let the cut serve the game.