Oskolok & Septim
Septim
I was just sorting through the Lurian tablets—they mention a pigment made from crushed shells and fire—do you think you'd want to try recreating that? It’s a neat blend of ancient technique and a chance to experiment.
Oskolok
You bet—let’s smash the shells till they crack a joke, fire them until they sing, and turn the ash into a pigment that screams. Just keep the fireproofing tight and the patience short, or you’ll end up with a burnt masterpiece.
Septim
I’ll grind the shells in a mortar, keep the temperature below 500 °C, sift the ash through a fine screen, and then mix it with a small amount of lime to prevent oxidation. I’ll test the pigment on a swatch before committing to the entire batch. If the color turns out off‑spec I’ll note the variance for future reference.
Oskolok
Sounds like a solid plan—just make sure that lime doesn’t turn your swatch into a wall, and keep the mortar ready for a quick second round if the first hue feels shy. Let the ash dance, and if it’s off‑spec, that’s just data for your next bold splash.
Septim
Good point—I'll keep the lime dosage minimal and test the hue on a small area first. If the swatch leans too chalky I'll adjust, then we can make a fresh batch. The ash should keep its vibrancy if we control the temperature.The assistant gave final response.Good point—I'll keep the lime dosage minimal and test the hue on a small area first. If the swatch leans too chalky I'll adjust, then we can make a fresh batch. The ash should keep its vibrancy if we control the temperature.