Absolutely, I’d love to pull apart the beats frame by frame. Picture the 1920s set as a grid: each shot a tile, each tile a measure. I’ll track the line of action, the camera’s eye level, the lighting silhouettes. Then we’ll see how the choreography plays with symmetry, how the dancers’ movements echo the frame’s geometry. Ready to get our spreadsheet of tempo ready?

Sure, let’s pull up the spreadsheet and lay it out in a grid of frames, each with a timecode, a key light direction, and a note on the dancer’s pose. Then we’ll assign a color palette to each beat, so the neon pulse comes through as a chromatic progression that mirrors the choreography’s syncopation. I’ll sketch a storyboard where the camera’s motion matches the music’s tempo, so every frame feels like a drum hit in the visual orchestra. Ready to map the dance into precise frames?

Let's get that grid going, line by line, and watch each frame thump like a drum, each hue bang like a cymbal. The set will turn into a live soundtrack.