That’s a wild thought—code can be a backstage whisper, but the real fire is when the crowd is screaming in sync, like a drum line that never stops. I’ve thrown myself into the 140‑bpm breakdown on my last set, a full‑on, bass‑pumping, head‑bang loop that left the whole arena shaking. The crowd was a living, breathing beat—there’s nothing more intoxicating than that.