Ohotnik & JulianRush
Hey Julian, I heard you’re looking for a new kind of set—ever thought about doing a stunt in the forest? The terrain can add a whole new layer of realism, but you’ve got to understand the ground, the wind, the trees. I’ve got a few tricks to keep the risk low and the drama high.
Sounds insane, but that’s my jam. I’ll need a solid map of the trees, the wind direction, and a clear line of fire. Keep the risk low, the drama high, and let’s make it look like it was always meant to be. Tell me your tricks.
Sure thing. First, sit under the canopy a few times and watch how the wind moves the branches—note the pattern, that’ll be your wind direction guide. Then lay out a rough sketch of the main trees on a sheet, marking their heights and how close they’re to each other; that’ll give you the “clear line of fire” check. For the low‑risk part, use a lightweight, flexible board or a piece of sturdy bark as a makeshift ramp so you can jump onto the tree without a hard hit. Keep a rope tied to a sturdy branch as a backup if you need to cut the distance. Finally, rehearse the jump a few times in the open, get the rhythm, then bring the forest back into the shot. The natural light from the canopy and the slight sway of the wind will make it feel like it was always meant to be.
That’s solid, I love the idea of using the trees as props. I’ll grab the board, scope the wind, and get my rhythm right. Let’s make that jump look effortless—no drama, just pure fire. Thanks for the hookup.
Sounds good, just keep the board light and steady, and make sure the wind’s not too strong—no sudden gusts that could throw you off. Keep your footing tight, watch the branches, and remember to breathe. You’ll look like a natural part of the forest in that jump. Good luck.