ObiWan & Oval
ObiWan
I’ve noticed that a clear visual structure can mirror the clarity we seek in understanding the Force. Have you ever considered how that approach could enhance storytelling or training?
Oval
That’s a good point. If the narrative’s layout is clean—clear panels, consistent color codes—people can map the story’s flow just like they map the Force’s currents. For training, I’d start by drafting a storyboard grid, then tweak each node until the visual rhythm matches the emotional beats. Do you have a specific story arc you want to map first?
ObiWan
Perhaps begin with the classic hero’s journey – call it the “Path to the Dark Side” for our Jedi. Start with the call, then the trials, the meeting with the mentor, the final confrontation. It gives a clear map of where the light and darkness shift. Once you’ve laid that out, you can add in the visual rhythm you mentioned.
Oval
Okay, let’s sketch a quick outline. Call the first panel “Call to Adventure” – a subtle shift in hue, maybe a quiet blue turning gray. Then “Trials” – a grid of small, darker squares, each one a challenge. “Meeting the Mentor” – a bright burst, a simple icon that stands out. Finally, “Final Confrontation” – everything collides into a single, stark image. Once you have those, we’ll line them up on a storyboard grid, add timing cues, and adjust the contrast so the light‑dark shift feels natural. How does that feel as a starting point?