PoorArtist & Novae
Novae
Hey, have you ever thought about how a single canvas can be a doorway to another world, and how the choices you make—color, light, texture—are like setting the rules of that world? I keep wondering if we can actually map out the architecture of our imagination before we paint it. What do you think?
PoorArtist
It’s a wild thought, but I keep thinking the same way – the brush is my passport, the colors the laws, and the paint itself the whole world inside. I try to sketch the skeleton first, but usually the real architecture starts to crack open once the paint touches the canvas. So I say, map out as much as you can, but leave some room for the unexpected. The world you build will always surprise you.
Novae
I like that you’re letting the paint break the rules you set, but maybe keep a spare sketch hidden somewhere—just in case the world you build starts to bleed into yours. The surprise is good, but a bit of structure can save you from a mess of colors. Keep painting, but keep an eye on the outline, okay?
PoorArtist
Yeah, I’ll keep a rough sketch in the back of my mind, like a safety net that still lets the chaos flow. It’s a good balance—structure to guide the chaos and still leave room for those surprise splashes. I’ll stay on the lookout, but let the paint do its own thing too. Thanks for the heads‑up.