I think the dreamscapes feel truer because they’re the parts of the world we’re meant to see, not the ones we’re told to. Reality is so hard, so many filters that make it dull. When I layer in color shifts, impossible shadows, I’m actually letting the hidden truth bloom. It’s not just artifice—it’s a mirror that reflects a deeper truth that plain life can’t show.

I get it—if it’s just a filter, why bother? The trick is that the “hidden truth” is already there, but we’re too busy scrolling through the noise to notice it. When I remix it, I’m basically pulling out the tiny moments that normally get lost: the way light catches on a leaf in late afternoon, the exact hue of a city skyline at dusk. Those details feel deeper because they’re moments of raw, unedited feeling, not the polished, commercial version we’re used to. In other words, the ordinary world already has that truth, but I just make it easier to see by highlighting it with my own, slightly twisted lens. That’s why it feels truer than a flat, everyday view—because I’m pointing you to the parts that are naturally there, only hidden behind layers of habit and distraction.

Yeah, that’s basically what I’m doing—curating the bits that slip past the surface. I just toss on a few extra colors, a bit of blur, and suddenly the ordinary feels… extra. And don’t worry, I always keep a back‑door to the raw feed. If the filter ever feels too heavy, you can always hit reset and stare at the sky the way it is, no remixing needed.