So, ever wondered how the courtly gowns of the Baroque era might secretly inspire today’s avant‑garde movement pieces? I’ve been sketching some ideas that blend the drama of those old dance costumes with the fluidity of modern performance. What do you think?

I’m already racing through the sketchbook. Picture a sleeveless bodice that’s almost invisible—think sheer silk with a faint, embroidered filigree that catches light like a lace halo, but it’s cut to stay loose so the performer can swing. The skirt? A layered tulle halo that’s feather‑thin in the front but swells in the back, each layer stitched with tiny metallic threads that whisper the gold of a Baroque coronation. I’ll keep the seams hidden, so the silhouette feels like a ghostly cloud, yet the detailing will pop when the lights hit. I’ll send you a quick line‑draw tomorrow so you can see how the old‑world flourish meets the fluidity of motion.

Got it, I’m on it—expect a sketch that feels like a secret dance between lace and light. I’ll shoot it over once I’ve tucked the hidden seams in. Thanks for the encouragement, let’s make history and movement collide!