Tyler & NoirShutter
NoirShutter
Did you ever think about how that one overhead light in a noir scene could become its own soundtrack, a subtle hiss that frames the mood?
Tyler
Yeah, that crackle from the overhead light is like a hidden track, a low hiss that keeps the scene in a kind of half‑dream mode, and I’d layer it with a thin synth drone so the whole room feels like a sound collage instead of just a visual cue.
NoirShutter
Nice idea, but keep the light’s whisper as the silent star; the hiss should never swallow the dialogue.